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While they still perform live occasionally (without former leader Alexander Bard — songwriter and, uh, founder of a religious movement), they left behind four studio albums, of which “Crucified” might give you a taste of what you’ve been missing.

Best known as a transgender model, Ashley’s music career is embryonic.

Das Thema Politik zieht sich durch viele Gespräche in diesem Heft, sei es bei The National, die fassunglos in ihr Heimtland schauen, oder bei Stefanie Sargnagel, die sich gegen den Hass verschreckter, alter FPÖ-Männer wehren muss.

Aber keine Panik: Zwischen all diesen düsteren, ernsten Themen haben wir auch genug Lichtblicke untergebracht, damit ihr nicht völlig deprimiert in den Herbst müsst. Daniel Koch (im Namen der Redaktion)Intro #255 bekommt ihr an den offiziellen Auslagestellen, als Abo oder hier direkt als e Paper.

The Academy Award-winning Aussie songwriter was always served better by other artists than on his own — I mean, do you even know his version of the song made famous by Olivia Newton-John, “I Honestly Love You”? It was a camp one, to be sure, as he became more flamboyant as he grew more popular.

Yet back in the ’70s it was slim pickings for openly gay artists, and we all knew how to read an artist that made a joke about being “bi-coastal” (he even named an album that) while throwing himself across the stage like a hyperactive chorine on a Broadway belter like “I Go to Rio.

It also helps that they have a bunch of fantastic EPs (with the best version of their song “Sex”) and two hit records behind them — the singles-heavy self-titled debut and the follow-up — an album that details the trials and tribulations of high-school same-sex lovers — this L. On tracks such as “Empty” and “Echo” he’s the natural heir to Frank Ocean, only less complicated and less artsy, though that’s not to say his music isn’t artful.

Aber lasst euch nicht vom traumhaften Foto von Tereza Mundilová täuschen: Die jungen Frauen tragen zwar viel Liebe, aber auch Trauer und Wut im Herzen.

Und sie sprechen vielen aus der Seele, wenn sie sagen: »Politik wird generell nur von alten Leuten gemacht.« Zum Glück sind sie Teil einer Generation, die genau das ändern will.

Here was the voice of an artist on the verge of transforming hearts and minds.

Anohni may do even more with her electronic indie pop, the perfect Trojan Horse of commercial sheen and activism — songs about the NSA (“Watch Me”) and war crimes (“Drone Bomb Me”) — to administer lessons about the world we live in now.

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